SCSM ANNUAL MEETING 2026
Trinity Christian College
February 26-28

The next annual meeting of the Society of Christian Scholarship in Music will be held at Trinity Christian College, in Palos Heights, IL.

CONFERENCE DETAILS

The annual meeting of the Society for Christian Scholarship in Music will be held at Trinity Christian College in Palos Heights, IL, from February 26-28, 2026.  The conference program, the link to the graduate student travel fund, travel details, and keynote address information can be found below.

Membership

Please remember to renew your membership before attending the conference.  You can click the Join/Contribute button at the top to be redirected to that page.  A reduced student membership rate is available.

Travel

Trinity Christian College is accessible from either Midway or O’Hare Airports (closer to Midway). The Baymont by Wyndham does not have an airport shuttle service during the days of the SCSM conference. Given the distance and the details of public transportation to Palos Heights, we recommend car rental or carpooling.

Lodging

On-Campus Housing for Graduate Students
There is a limited number of suites available on Trinity’s campus for graduate student housing. Each suite has two bedrooms (2 beds each), with a shared bathroom. The cost per person is $35 total for the two nights of the conference (February 26 and 27). You can select and pay for graduate student housing as part of your registration.

Baymont by Wyndham
12801 South Cicero, Alsip, IL, 60803 (3 miles from Trinity; no local shuttle)
To receive a rate of $75 per night, call 708-844-1591 and say you are attending a function at Trinity Christian College.

Keynote Speaker
Dr. Emmett G. Price, III

Emmett G. Price III is an internationally-recognized expert on Black Music & Culture, Afro-Diasporic sacred & secular expressions, and Christian Worship. He has spent much of the past few decades writing, lecturing and conducting cutting edge research on bridging the generational divide. A well-regarded scholar, educator and higher education administrator, Dr. Price has the unique ability to capture the hearts and minds of the most diverse and versatile audiences with his compassionate sense of humor, his amicable intellect and his quick wit. He is a noted print and broadcast media expert, as well as a widely sought-after keynote and motivational speaker.  

Dr. Price serves as the Founding Dean of Africana Studies at Berklee College of Music & Boston Conservatory at Berklee. Prior to his current post, Dr. Price served on the faculty of Gordon-Conwell Theological Seminary (2016-2021) where he founded the Institute for the Study of the Black Christian Experience (ISBCE) and Northeastern University (2001-2016) where he served as chair of the Department of African American Studies (2008-2012). He has served as a visiting professor at Harvard University, Boston University, Berklee College of Music, Andover Newton Theological School and Brandeis University. He has served as a guest lecturer at over 60 universities worldwide.

Born and raised in Los Angeles, California, Dr. Price received a B.A. in music from the University of California, Berkeley and earned both his M.A. and Ph.D. in music (ethnomusicology) from the University of Pittsburgh. He also earned his M.A. in urban ministry leadership from Gordon-Conwell Theological Seminary. 

An acclaimed scholar, Dr. Price is the author of HIP HOP Culture (ABC-CLIO, 2006), executive editor of the Encyclopedia of African American Music (ABC-CLIO, 2011) and editor of The Black Church and Hip Hop Culture: Toward Bridging the Generational Divide (Scarecrow Press, 2012). He is the former editor-in-chief of the Journal of Popular Music Studies (2005-2008). Along with numerous commissioned writings and book length chapters, his work can be found in African American Review, American Music, Black Music Research Journal, the Boston Banner, the Boston Herald, Ethnomusicology, GIA Quarterly: A Liturgical Music Journal, International Jazz Archives Journal, Journal of Popular Music Studies, NOTES: Quarterly Journal of the Music Library Association, and Yale Journal of Music and Religion. 

Dr. Price is a celebrated keynote and motivational speaker in high demand; he has addressed audiences at Nike, Network Health, the U.S. Coast Guard, Raytheon, Year Up, the Rock and Roll Hall of Fame & Museum, the American Association of Colleges of Pharmacy, Inc., the Museum of Fine Arts, Boston Business Journal, American Jazz Museum and many more. He has made several appearances on GBH-TV’s Basic Black, WNYC’s RadioLab and NPR’s All Things Considered. Dr. Price is a regular contributor to GBH-Radio’s Boston Public Radio segment “All Revved Up!” and is the co-executive producer/ co-host of the very popular All Rev’d Up Podcast. 

A trained musician, Dr. Price has performed throughout the United States, the Caribbean, Europe and Africa as both a solo artist and as a sideman. As a composer and arranger, he has worked with internationally lauded poet and playwright Ed Bullins, the Greater Boston/ Cambridge John Coltrane Memorial Concert Ensemble, the Zamir Chorale of Boston as well as numerous gospel choirs, sacred music ensembles and jazz bands across the globe.  

An ordained minister, Dr. Price serves as Founding Pastor of Community of Love Christian Fellowship (Allston, MA). From 2011 through 2023 he served as the Director of the James Abbington Church Music Academy of the Hampton University Ministers’ Conference & Choir Directors’ and Organists’ Guild. Dr. Price is a respected civic leader and arts advocate currently serving as the Chair of the Board of Trustees of the Boston Landmarks Orchestra. He is a member of the Board of Directors of the Institute of Contemporary Art/ Boston. He previously served as CEO & Board Chair of JazzBoston, Board Chair of the MetroWest YMCA Association and Board Chair of the Emmanuel Gospel Center. Dr. Price is a former Trustee of the Robert E. Webber Institute for Worship Studies and Massachusetts Bay Community College.  

Keynote Address
Musical Hermeneutics: Lessons from the African Diaspora
In Lawrence Kramer’s treatise on musical hermeneutics published in the Oxford Handbook of Western Music and Philosophy he posits that there is an imbedded mistake within traditional practice of assuming that meaning in musical works, genres and performances are solely derived from form, technique and structure. This mistake, in many ways was guided by a narrow lens that avoided what we now know as intersectional identities. Rather than focus on the mistake, I aim to offer a different engagement with musical hermeneutics to inspire a broader lens with a wider and more vivid view. Grounded in the theory and method of interpretation, musical hermeneutics offer a great opportunity to explore the content, context and codes through which musical expression can avail a deeper cultural connection between creative(s) and audience(s). This keynote will build off of years of observations, reflections and study to proffer a few lessons from the African Diaspora to inspire forward progress relative to Christian Scholarship in music.